Wednesday, December 22, 2010

Another Mother's Son

I have a young friend--I haven't known him for very long, but sometimes I feel like I have known him forever, which is kind of funny because he is only two years old. We like to talk about many things and we laugh alot. Our difference in age doesn't seem to matter much to him. He has the biggest blue eyes--clear and bright and trusting. His words and actions reveal to me that his parents cherish him and have taken care to train him for the Lord, just as they are training his siblings. Gentle and soft-spoken, he loves to talk about his farm, his animals and his siblings. He is so very dear to me and sometimes I have to remind myself that he is another mother's son. But his mother has other responsibilities during this hour at our homeschool co-op and she has entrusted him to me for this time. I care for her baby as she teaches my children, speaking wisdom and knowledge into their lives one day a week. Sometimes he cries a little when his mommie leaves so I just hug this little treasure and keep him feeling safe and loved until she returns.

Friday, December 17, 2010

...the least of these...

oh, my, the people...the people Jesus would call "the least of these." So many people, lined up and patiently waiting for the meal we would serve them. Quiet, hungry, needy...and respectful during the prayer. Hats taken off, heads were bowed, even a few "amens" were voiced.

As a group, they looked raggy, dirty, and cold... in a word, homeless. But as they started filing through the line, and came toward me, they became individuals...

My job was to hand out the chapstick. Chapstick is a much appreciated luxury. For those who spend long hours outside, chapstick protects lips from the elements. But I also learned it soothes chapped hands and relieves the pain of scrapes and cuts.

As I offered the chapstick, the "group" became "individuals": the middle aged man with the grizzled beard, the Hispanic man who couldn't speak English but gratefully accepted the chapstick, the man in the wheelchair, the college aged guy who had been on the street for awhile now, the middle-aged woman with the little boys, the old man in the overalls, the young woman with the "interesting" eye makeup, the tanned and wrinkled man with the pale blue eyes, and many, many more.

Some of the interactions lasted more than a few seconds when the serving line got a little congested or when someone was inclined to talk. I remember the obviously homeless man who told me he hadn't eaten in two days and wondered if it would be ok for him to have seconds and another homeless man who shared with me the wonders of chapstick. There was a young mother who was indignant at the behavior of a couple who nibbled at their food and exited the building, leaving their mostly full plates of food on the table. One man, probably in his thirties, noticed my scout uniform and mentioned he had been a boy scout when he was a teenager. I wanted to hug the cute little preschool girl whose eyes sparkled as I gave her a tube of chapstick.

Later in the evening, I still had some chapstick left, so I was wandering around, asking people if they wanted some more. Without fail, they told me I had already given them some. But when I said I had extras to give away, most were grateful to take another tube.

There were only a few children and they mostly seemed to be very subdued, even during the gift distribution. Except for one little girl, who was inclined to be chatty and very thrilled as she showed me her toy and the books she had been given.

I had a seriously scary moment when I noticed that the man in the wheelchair had dropped his hat on the floor and I went to pick it up and hand it back to him. He couldn't seem to take it from me and then his head dropped to his chest and I kinda freaked out and ran a few steps back to our scoutmaster to get some help. Within seconds, the church leader joined the group and bent over him. The guy lifted his head, and kinda just looked at us. I heard later that he told someone he had had a seizure.

The church had some clothes and shoes for the adults as well as some Christmas toys for the children. There weren't enough shoes and clothes for all, as the leader told the crowd, but they would give as the Lord provided. He told me later that the people get anxious in situations like this because they know there isn't enough for all but they need some of this stuff so desperately. They obeyed the rules, they stood patiently in line, they didn't complain. I was impressed, having witnessed some embarrassingly rude behavior earlier this week at Walmart.

There were some people who came up and thanked us for serving them and to them I answered earnestly and sincerely, "It was my privilege."

"Lord, when did we see You hungry, and feed You, or thirsty, and give You something to drink?" The King will answer and say, "Assuredly, I say to you, inasmuch as you did it to one of the least of these My brethren, you did it to Me." Matthew 25:37,40

Indeed, it was my privilege to serve Him by serving the least of His brethren.

Thursday, December 16, 2010

Love and a Tube of Chapstick

Yesterday I fed the hungry. Well, I guess I feed the hungry on a daily basis at my house, so let me try again.


Yesterday evening I helped feed people who were really hungry. Several mentioned that this was the first food they'd had all day and another said he hadn't eaten in two days.


Some of these people came in right off the street while others probably came in their cars (and would be going back to sleep in them, too.) Some of them lived in the neighborhood or a nearby neighborhood. Some likely lived in shelters. Some may have needed a meal more than some of the others. But each one who came for a meal was an eternal soul.


Yesterday I was privileged to "feed Jesus" by helping to feed "the least of these." I went into the experience with a little trepidation as well as the conviction that I needed to love these people. My job was passing out chapstick, which is a real luxury to those who spend their days outside and on the street. My intent was to include a little love with each tube. I tried to make eye contact, smile, or maybe squeeze an arm or pat a hand. Some times I got a grateful smile or a verbal thank you. And sometimes I didn't. Either way it was okay.


I gazed into old eyes, sad eyes, bitter eyes, grateful eyes, apathetic eyes, weary eyes and even some very young eyes...and behind each pair of eyes was an eternal soul.


Yesterday we sought to meet the very real, pressing need for food and to plant a tiny seed of God's love. And to give them some chapstick.


Wednesday, December 15, 2010

It's Fun to Say "Oratorio"

So it wasn't the Messiah-it wasn't even Handel-it was an oratorio by Johann Sebastian Bach which he called Weihnachtsoratorium which is practically impossible to pronouce gracefully so nowadays we cheat a litle and call it Bach's Christmas Oratorio which is kinda fun to say and sounds prettier, too. It was just a teeny tiny mix-up, a little bitty misunderstanding but I was still excited about it until I noticed from the program that all of the songs were in German (which served to considerably dampen my enthusiasm...that is, until the performance began)

The overture was majestic and glorious and so extremely "Bach," if I can use a proper noun as an adjective. (and I can because this is my blog and it seems like I break the rules of grammar on a regular basis anyway, so I say let's go with it.)

Then the choir began singing things like "Glory to God in the highest" which I never would have known without the subtitles because German is pretty much nothing like English.

Thanks to modern technology (and my "distance" glasses) I was blessed by the words of Scripture and the inspiring lyrics, some of which I jotted down (kind of a trick to do in the dark.) I will share with you my favorite phrases:

"Break through, oh lovely light of morn."
"Now will the Star of Jacob shine its radiance..."
"How shall I fitly meet Thee and give Thee welcome due?"
"For us to Earth He cometh poor "
"Within yon gloomy Manger lies..."
"Ruler of Heaven, hear our stammering tones"
"Hear our heart's triumphant praise because our welfare is assured"
"I will live for Thee here"
"With Thee I will soar at last, filled with joy without end!!"

Tuesday, December 14, 2010

Saved By the Subtitles

I know you are probably thinking, "Oh, no, another post about opera" and you might be right... sorta... at least, the "oh, no" part... not the opera part... because this post is about the oratorio. Try not to get too excited...

Like an opera, an oratorio has an orchestra, soloists and a choir...and also music that you have to exert a little effort to get into. However, unlike opera, an oratorio usually has a religious theme. History lesson: in Italy during the early 17th century, Lent was strictly observed as a period of prayer and fasting, in preparation for Holy week. The Church forbade secular musical performances during the 40 days prior to the celebration of the Resurrection, apparently to satisfy itself that people were at least giving up something for Lent. Into this musical abyss, the oratorio was born.

When the word oratorio comes up in casual conversation, (which may not be all that often but work with me here) the first thing that comes to mind is probably Handel's Messiah. I always knew I liked Handel, most certainly because of his Messiah. But now I find I like him even more since I have discovered that, although he was German, he wrote the first oratorio in the English language and his subject was Esther (being a fan of both English and Esther.) I am getting ahead of myself here... In the early 1700's, he had been writing operas, which were not getting a lot of favorable attention. I guess it came to him one day that if he wrote an oratorio, he would be pretty much guaranteed an audience during Lent, which led to his first religious oratorio (Israel in Egypt) (a sell-out) and ultimately, to the Messiah.

Besides all the usual instruments--all the violins, flutes, oboes and the obligatory cello--oratorios are usually pretty big on trumpets and timpani. There are some monumental musical moments going on and the trumpet and timpani seem to be mandatory for those moments. That, of course, is my personal opinion but I think you would have to agree that nothing grabs your attention quicker than a trumpet and nothing accentuates a point better than a timpani!

Although there are soloists and ensembles, the backbone of the oratorio is the choir. Glorious music just sounds more glorious coming from a big choir. And with a religious theme, there is a lot of glorious going on.

The word "oratorio" means "hall for prayer" which I think refers to the fact that oratorios were originally performed in churches rather than opera houses or concert halls. However, the whole oratorio is almost like a prayer; at least that has been my experience. (which at this point is limited to Bach's Christmas Oratorio and Handel's Messiah) Bach's Christmas Oratorio was written in 1734 in German, but happily for me, the performance I attended provided subtitles. Those subtitles not only saved the day for me but enriched, inspired, and fed my soul. And, probably, that is exactly what the church fathers wanted and what the oratorio composers intended.

Sunday, December 5, 2010

My Sublime Opera Moments

This post is probably just for me: my "sublime moments" and the YouTube links to each one. Definitely not an exhaustive list; although if you listen to very many, you will definitely be exhausted.

"Der Hölle Rache" from Die Zauberflote by Mozart
http://www.youtube.com/watch?v=_ufeyarJxNQ

"O Mio Babbino Caro" from Gianni Schicchi by Puccini
http://www.youtube.com/watch?v=ZRuYQ9KRJms&feature=fvw

"Quando Me'n Vo"from La Boheme by Puccini
http://www.youtube.com/watch?v=uZzC6e6olCY&feature=related

"The Marriage of Figaro Overture" by Mozart
http://www.youtube.com/watch?v=io1TLkvQEHQ

"The Flower Duet" from Lakeme by Delibes
http://www.youtube.com/watch?v=8Qx2lMaMsl8

"Je Veux Vivre" from Romeo et Juliette by Gounod
http://www.youtube.com/watch?v=HsHKWGHkH0M&feature=related

"Caro Nome" from Rigoletto by Verdi
http://www.youtube.com/watch?v=0S98ptHUFBY&feature=related

"Brindisi" from La Traviata by Verdi
http://www.youtube.com/watch?v=WiChbD7r-VA&feature=related
http://www.youtube.com/watch?v=HtTKcqINJrM&feature=related
http://www.youtube.com/watch?v=HtTKcqINJrM&feature=related

Just a Few More Notes ♪♫ About Opera

Dafne, one of the first operas in history--that we know about--was the musical re-telling of the story of a nymph named Daphne who, upon being chased by Apollo, was turned into a laurel tree. It seems that a lot of the earliest operas were inspired by Greek and Roman myths. This opera was written by Jacopo Peri and Ottavio Rinuccini in 1597, in, where else, Italy. (the "i"s at the end of their names should have been a dead giveaway) The librettist Rinuccini was convinced that his opera "gave pleasure beyond belief to the few who heard it." I guess we will just have to take his word for it.

Bel canto opera means beautiful singing and generally, they are not kidding. Many operatic songs were written for the express purpose of showing off a particular singer's voice.

Opera seria is a noble and serious style of opera written for, and usually about, nobility.

Opera buffa is opera that is light and comic, usually with a happy ending, written for the common folk.

In an opera, it is usually the soprano who sings an aria to express her innermost feelings and share them with the entire world. Then she insists on repeating it several times in case you missed it the first time. And then she sings it one more time for good measure.

A recitative is sung to keep the plot moving along and to explain things. However, the whole purpose of the recitative is defeated if the opera is sung in Italian, unless of course there are subtitles or you happen to speak Italian.

Most operas are in Italian although there are some in German and French. It is probably good that many operas are sung in another language because words tend to be distracting. There are those of the opinion (mainly me) that music is the language of opera and who listens to the words, anyway.


Before going to an opera it is best to do some serious preparation so here are some hints in case you decide to venture into the world of opera:

1-Fortify yourself with a good meal because it might be some time before you get to eat again. (especially if you go to a Wagnerian opera which I haven't even mentioned and probably won't because that is a bit beyond me) Have a cup or two of coffee...just not too much.

2-You ought to at least read the libretto, study the life of the composer and listen to all the music of the opera you are going to as well as some of his other compositions. (I wonder why all the opera composers seem to be men...I may have to look into that) In this case, familiarity does not breed contempt. In fact, after you have heard the opera several times, it becomes more like a dear old friend.

3-Arm yourself with some good old fashioned opera glasses or a discreet pair of binoculars because you want to be able to see the expressions on the faces of the singers. And the details of their costumes. But try to ignore the microphones. They kinda spoil the effect.

4-Do not take candy with noisy wrappers and please, pre-open your Ludens cherry cough drops if you suspect you might be overtaken by a fit of coughing. There are some serious opera lovers out there and I will not be responsible if one takes offense at your wrapper-rustling.

5- Try not to get bogged down by the repetitiveness of the words or the implausibility of the storyline. Enjoy the moments you find sublime and let your spirit fly away with the music.

6-A final thought: music expresses emotion and opera is all about emotion. Just expect that and don't get all emotional about it. Or take plenty of tissues.

From "Opera, Schmopera" to "I ♥ Opera"

Opera is, well, opera. At first, opera and I did not get along. So I spent some time with the genre, reasoning that if I became more familiar with it, I would like it more. I went to a few operas:

Die Zauberflote
Cosi Fan Tutte
La Perichole
The Marriage of Figaro
Amahl and the Night Visitors
Suor Angelica




And then I had an epiphany: it is all about the music, baby. Ever since I figured that out, opera and I have gotten along just fine.

Opera is not about the story or the characters. It is the music. And some of it is sublime. And some of it is not.

(I suspect that opera composers keep the sublime moments to a minimum--because, just as in real life, there are lots of sub-sublime moments in an opera.) (I just made up that word--you cannot find it in the dictionary--go ahead, try)

Some of my sublime moments:

"Der Hölle Rache" from Die Zauberflote by Mozart
"O Mio Babbino Caro" from Gianni Schicchi by Puccini
"Je Veux Vivre" from Romeo et Juliette by Gounod
"The Flower Duet" from Lakeme by Delibes
"Quando Me'n Vo"from La Boheme by Puccini
"Brindisi" from La Traviata by Verdi
"The Marriage of Figaro Overture" by Mozart
"Caro Nome" from Rigoletto by Verdi

Opera is not much like real life.

Except for when money gets tight at the end of the month and someone can't pay his rent or when someone makes bad choices and has to face the consequences. No, opera isn't much like real life except for when someone is misunderstood or falls in love with the wrong person or goes lurking through a temple with a magic flute and a bird-man, looking for his true love (ok, maybe not so much the last one.)

I guess except for the complicated story lines and the fact that everybody sings all the time, opera might not be so far from real life sometimes. At least, real life if you're Italian.

Friday, December 3, 2010

Because of Wendy


If I hug my kids a little oftener, squeeze them a little tighter, hold them a little longer, that is because of Wendy. It is Wendy's legacy of love that challenges me.

If I do my home school lesson planning more than a month in advance, that is because of Wendy. It is Wendy's legacy of diligence that challenges me.

If I have a talent or a resource and I step out of my comfort zone to volunteer, it is because of Wendy. It is Wendy's legacy of availability that challenges me.

If I sense the calling of God and I follow that leading, it is because of Wendy. It is Wendy's legacy of obedience that challenges me.

If I thank God for all the gifts that He has given me, it is because of Wendy. It is Wendy's legacy of gratitude that challenges me.

And I thank God that I had the privilege to know and be challenged by Wendy.